Ceramics

Lunar New Year - Ceramics

Ceramic Art

China is the hometown of porcelain and ceramics, dating back over ten thousand years ago. Porcelain once opened the door of China to the world for pioneers. Traditional ceramics and porcelain are valued all over the world, extensive and profound, and widely praised. Chinese ceramics influenced ceramics in Japan, Europe, the Middle East and more, and many Chinese national master ceramic artists are still keeping the traditions alive by experimenting and going beyond their predecessors (oftentimes generations of their own families) through persistent and innovative hard work by recapturing the old glory (e.g., Ru Porcelain in the Song Dynasty, 960-1279) or creating new inventions through combining traditional and contemporary techniques, craftsmanship and ways to handle materials. 

During recent years, many Chinese ceramic artists have travelled to the U.S. to learn about the contemporary elements and styles from the West. As the art exchange result between the two cultures, PVCC has built a permanent Chinese ceramics collection over the years, which showcases the beauty and artistry of Chinese ceramic making.  Some of it is located in the Q-building hallway, some can be viewed in the E-building hallway and the rest can be viewed virtually.

Paradise Valley Community College’s Permanent Ceramics Collection

Flowing Between Heaven and Earth - PVCC’s Permanent Collection (Photographer: Daniel Swadener)

In the spring of 2017, an exhibition of exquisite and unique ceramics, representing 33 master artists from China, took place at the ASU Ceramic Research Institute.  Coordinated by artist Xiaoping Luo and made possible by the China Industrial Ceramics Association (CCIA), which helps its member artists develop new markets and create opportunities for cultural exchange between east and west. PVCC’s involvement derives from the tour of China’s 9 Fine Arts Universities and Arts Academies in 2015 by PVCC Fine Art faculty David L. Bradley. 

The groundwork for this exhibition began in 2015, when Professor Bradley accompanied Xiaoping Luo to view the graduate exhibitions of China's class of 2015. This East meets West visit coincided with the institution's graduate student exhibitions and allowed Professor Bradley to document specific works and techniques to share with his ceramics classes here at PVCC.  Additionally, Luo Xiao Ping selected specific student works for an exhibition in Shanghai.

 

Lunar New Year - CeramicsSince Professor Bradley made such strong connections with ceramics faculty at the various Chinese institutions, an opportunity to exhibit in the United States was offered and gratefully accepted.  With intensive preparation by a team from PVCC, on September 18, 2015, a group of Chinese ceramic artists came for a one-day exhibition and celebration held in the KSC100.  The artists accompanied their works and enjoyed meeting faculty, staff, students and community members.

Lunar New Year - CeramicsOn the heels of this successful collaboration with PVCC, Xiaoping Luo and David Bradley quickly decided their alliance opened the door for additional Chinese artists to visit the U.S. This larger exhibition would include a tour of sights culminating in an exhibit at a well-known museum venue.  This collaboration grew with the addition of Garth Johnson, curator of the ASU Ceramic Research Center in Tempe, and together dates were set and a catalog created for the Flowing Beyond Heaven and Earth Exhibit schedule for the spring of 2017.

After the exhibition closed, it traveled to West Virginia University for five months. The collection returned to ASU and was divided between ASU and PVCC in gratitude for the opportunity to exhibit work in the U.S.

Once the exhibit closed in Tempe, it travelled to West Virginia University for several months.  This unique and inspiring collection returned to ASU with pieces divided and housed at both ASU and PVCC respectively.  Upon reflection, this enriching experience touched both artist and art appreciator, student and teacher, novice and master alike leaving a lasting legacy where East meets West.

View a photo gallery of the PVCC Permanent Chinese Master Ceramic Collection

Xiaohong Huang: Artist in Residence at PVCC, Spring 2017

Xiaohong Huang is the daughter of one of the most renowned  ceramic artists, Huang Maijiu, who specializes in the famed “Blue and White” porcelain. Born in Jingdezhen in 1967, Xiaohong graduated from the Fine Arts Department of Jingdezhen Ceramic Institute in 1995. Xiaohong is a senior professor of arts and crafts, and a master artist and craftsman in Jiangxi Province. During the spring of 2017, Xiaohong was invited as the Artist in Residence at PVCC. She shared her expertise with PVCC students (and some other MCCCD colleges and ASU) via lectures, demonstrations, and hands-on teaching. For more information about her Art in Residence work and experiences, click here

In the video on the right, you can follow Xiaohong’s footprints in her hometown Jingdezhen, the “Porcelain Capital of China,” a city in east China’s Jiangxi Province. You will visit Xiaohong’s own studio virtually to enjoy her creative process under her father’s guidance, her exquisite and beautiful “Blue and White” artworks, as well as some awards for her accomplishments.

The Art of Teapot Making: Junya Shao

Tea Cup Artist

Have you ever had a nice cup of tea? If so, there’s a high probability that you’ve had some type of Chinese tea. With China being the birthplace of tea, it’s only fitting that teapot making goes hand in hand.

Meet Junya Shao (born 1974 - present), an internationally renowned ceramic artist, nicknamed “Miss Teapot”. Ms. Shao has participated in over 30 important exhibitions in China, the United States and Canada. She has delivered over 60 lectures on Yixing pots and has conducted workshops at more than 40 universities in the U.S., Canada and China. She has received a variety of awards in the U.S., Canada and South Korea. 

Her works have been collected in important museums, including the ASU Art Museum. Ms. Shao uses natural Zisha Clay (purple clay), traditional tools and slab techniques to hand make her teapots, and transforms a thin paddled slab into a perfectly symmetrical form. The roots of this ancient technique date back 1000 years to the Song Dynasty. Working from that foundation, her works are contemporary expressions of her own ideas about color and form, yet drawing from the Yixing aesthetic.

Junya Shao's Current Exhibit

For more information about the artist and her career, please click the following links (enjoy the images though the text is in Chinese):

Junya Shao: Yixing & Beyond(1)
Junya Shao: Yixing & Beyond(2)

Food for Thought:

  • How did Junya make the teapots more functional while keeping its aesthetic style? 
  • Judging by the videos’, do you think it would be easy or difficult to make a teapot? Why?
  • Do you have any teapots in your home? What have you learned about teapot making that makes your teapots more interesting?